Rear window where is hitchcock

Please arrive on time. Due to reduced capacity, advance tickets are recommended for all shows to ensure seating. Online sales for every screening automatically end 1 hour before any given showtime. Please redeem at the box office. Alternately, you can bring this information with you to the venue, and we will do our best to help you at the box office. Alternate versions The film has been fully restored from original negatives in and a new negative has been created that resembles the original color scheme of the film.

However, the first kissing scene had to be restored digitally because the source elements were in bad condition. User reviews Review. Top review. First-rate thriller. Having watched it for the second time recently, I was struck by how razor-sharp the film's script actually was. Sure, it didn't have a big Agatha Christie-type mystery reveal; but the banter and repartee between the main characters was just so well-written. Of course, the film's framing and camerawork is legendary for good reason and Grace Kelly has a luminous screen presence.

Suspenseful, intriguing, and a film that shows off a master at the peak of his craft. FAQ Why is Jeff whispering when he is on the phone to Tom after Lisa's arrest when he is in his own apartment? Who was the dress designer for Grace Kelly's outfits? What is 'Rear Window' about? Details Edit. Release date September 1, United States. United States. Alfred Hitchcock's Rear Window. Alfred J. Hitchcock Productions. Box office Edit. Technical specs Edit. Runtime 1 hour 52 minutes. Related news.

Oct 28 Indiewire. Contribute to this page Suggest an edit or add missing content. Top Gap. She sympathizes with his vertigo, as Kelly nurses the broken leg. Both observe his voyeuristic obsessions. In "Vertigo," Scotty falls in love with a woman he has spied upon but never spoken to. In "Rear Window," he is in love with the occupation of photography, and becomes completely absorbed in reconstructing the images he has seen through his lens.

He wants what he can spy at a distance, not what he can hold in his arms. Stewart is an interesting choice to play these characters. In the s and s he played in light comedy, romances, crime stories and Westerns, almost always as a character we liked.

What would it feel like to see him in a bizarre and twisted light? In "Rear Window," Jeff is not a moralist, a policeman or a do-gooder, but a man who likes to look. There are crucial moments in the film where he is clearly required to act, and he delays, not because he doesn't care what happens, but because he forgets he can be an active player; he is absorbed in a passive role. Significantly, at the end, when he is in danger in his own apartment, his weapon is his camera's flashgun; he hopes to blind or dazzle his enemy, and as the man's eyesight gradually returns, it is through a blood-red dissolve that suggests passion expressed through the eyes.

Kelly is cool and elegant here, and has some scenes where we feel her real hurt. She likes to wear beautiful dresses, make great entrances, spoil Jeff with champagne and catered dinners. He doesn't notice or doesn't like her attention, because it presumes a relationship he wants to elude. There is one shot, partly a point-of-view closeup, in which she leans over him to kiss him, and the camera succumbs to her sexuality even if Jeff doesn't; it's as if she's begging the audience to end its obsession with what Jeff is watching, and consider instead what he should be drinking in with his eyes--her beauty.

The remote-control suspense scenes in "Rear Window" are Hitchcock at his most diabolical, creating dangerous situations and then letting Lisa and Stella linger in them through Jeff's carelessness or inaction. He stays in his wheelchair. They venture out into danger--Kelly even entering the apartment of the suspected wife killer.

He watches. We see danger approaching. We, and he, cannot move, cannot sound the alarm. This level of danger and suspense is so far elevated above the cheap thrills of the modern slasher films that "Rear Window," intended as entertainment in , is now revealed as art. Hitchcock long ago explained the difference between surprise and suspense.

A bomb under a table goes off, and that's surprise. We know the bomb is under the table but not when it will go off, and that's suspense.